Thursday, April 23, 2009

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" The Servant " Joseph Losey


The servant, according to the etymology of the word, means "one who brings benefit." Ever definition is so misleading as in this case, clearly if it relates to the work of Joseph Losey's "The Servant". In this context, the servant, took a diametrically opposite connotation. Approaches, in fact, more like a virus, a healthy carrier of evil, deception that slowly creeps into life of a young nobleman and infected eventually take possession of his will and reversing the roles.
We can not speak of "The Servant" without speaking of the script signed by the English playwright, a master of the absurd, Harold Pinter. Of all the scripts Pinter signed by this film is probably the one in which receives most its mark. Master the construction of the characters through dialogue sharp and intelligent we outlined two figures, one of the servant and the noble, clear, classical, almost taken for granted, but at the same time have something mysterious. Above him, the servant did something wrong, something unusual and soon the mystery will be revealed in all its devilry.
Losey often shows us the ambiguity of the characters in a play of mirrors and reflections continuously. The whole house is full of reflective surfaces and the characters are so constantly split to emphasize their dual personality.

"The Servant" is a social film if I may say, the image of the class struggle between servant and master, so dear to Marx, where the roles are overturned, where the servant takes the reins of the game and the limelight cards on the table, making it real "master of his master" bending to their will. Here, it takes more social and political analysis on the features of a psychological game, which can also be seen as a metaphor of good and evil, and how it is impossible to divide the dark side of human mind from the more clean and clear, as Tony, the landlord will not be able to get rid of Hugo, despite his behavior out of the ordinary. Tony is fascinated by his valet, in a report that attracted most often smells of homosexuality.

A beautifully orchestrated film, often shot in pianisequenza that put highlights in Pinter's dialogues and performances by Dirk Bogarde and James Fox. Intelligently the relationship between Hugo and his girlfriend of his boss, who seems to expose a weakness of the servant who is always scared by his presence. She 's in these scenes to command, to be the center of the sequence, but our focus remains on him, awaiting his next move, to understand the why of this new facade. It 'really scared of her or is it a trick? What do we hide this elegant and efficient butler? E ' or is not a "beneficial holder"?

Sunday, April 19, 2009

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Moscato di Scanzo - Liabilities - Bavia

as promised I am called to write .....


In December of last year are gone to a wine tasting in Venice, Lombardy and Liguria.


begin to describe one of the many nectars tasted: the Muscat of Scanzo





I used a photo taken of the actual site of the manufacturer ....


say that I wine? simply a pool ....


Usually when you think about the past is now associate tastes sweet, aromatic, light, well I'm around is a bit 'different!

Since February it has become a DOCG, and is the smallest Italian DOCG.
Manufactured in the town of
Scanzorosciate is the result of muscat grapes Scanzo 100%, with drying frames for at least 40 days, after which the bunches are stripped and only the berries vendiammiano:

  • color: red ruby intense that may tend to cherry with garnet.
  • smell : delicate, intense, persistent and unique.
  • flavor: sweet, pleasant, harmonious, with a slight almond aftertaste.
I discovered I have fresh, not stucchecole, with a strong taste, marked in red dried fruit, such as morello and cranberries, a hint of dried rose petals and I tasted a mountain cheese from Val Brembana: the Furmai de Mut.

Promoted!



Thursday, April 16, 2009

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sometimes return

after many long months of silence and accumulated many sheets of notes to write, I'm back on these slaves ......

is useless to find excuses but between work, boyfriend and restoration of the house had not failed to follow the time for the hairdresser ... He too feels neglected and sometimes calls me telling me that for sure are indecent (not entirely wrong but I do not give him that satisfaction ...!!!!)


begin with a review of a restaurant. ....


months ago my boyfriend, who knows how much I adore good food, took me to a restaurant in the province of Verona (Verona he is) and I was discovering what later became the restaurant of trust ......

Restaurant Massimo Via del Poggio 9 - Colognola ai Colli - Verona tel. 045 7650355

told me that her sister (holy woman) and told him he wanted to take me at all costs: the fact is that many evenings we went there but they were always closed to that in desperation we went a Saturday night ...


management is a particular story and the reason there ...

the restaurant is a family business: He was the former owner ... room is now his wife and daughter in the kitchen with her husband are open only on weekends and during holidays as possible is the second daughter of work!!

guys if you come from those parts called to see if it is open it is really worth!

the communities:

is like the kitchen (huge) of a house, with pictures, dishes hanging on the walls, and then there is a table of two with his colored lamp, tables and chairs are in rustic but they seem to say: we duriamo time !!!!!

And then people who are in to work with passion and love: the lady looks like a caricature, I do not know the age but the age may have of my mother, always walking around the room with a smile for everybody and his unfailing cart - Gueridon above with plates, trays glasses, to be distributed to the boards VAIRE
's daughter, as well as cook, as I said before, if he can leave his kingdom and pampers guests with kind words.

them with love, passion and great difficulty carrying on his father's dream and her husband, her daughter in fact has a children's clothing store in town, but he never wanted to give this wonderful place where you can eat divinely.

start with the menu: I state that is always the same, we rarely are changes, it is seasonal, but I assure you that is a guarantee of quality.


Appetizers are almost endless ...

Thief beaten with hot spices served the Tigelle on which to spread. (Sometimes I take only this ...) The
cold meats served with pickles slightly warm.
Slices of warm bread accompanied by roasted tomato sauce with basil.
Often there are portions of pies with vegetables: carrots, peas, green beans (we eat well my boyfriend who is anti-vegetable ...).
Sometimes there are pancakes stuffed.

I have pasta portions are very strong but with homemade pasta ...

macaroni or potato dumplings or noodles with duck sauce or ragout, or a variety of vegetables, and nuts or Monte Veronese and I do not remember much.

The meat is almost exclusively on the grill ...

Beefsteak

sliced \u200b\u200blamb chops with arugula
roll baked veal breast of chicken

Roast pork

The contours are almost imabarazzanti the choice is possible ...

I state that I tried them in winter time will start the spring and I'll tell you what to change ...

fried potatoes, golden, crunchy and tasty.
Cabbage cap sautéed with bacon.
mixed mushrooms (I only eat them if there is parsley, for my allergies, sometimes they served with celery leaves, a discovery ...)
peppers colorful and very inviting.
Celeriac simply boiled and seasoned.
On request there is a mixed salad.
roasted eggplant.


I assure you that it is impossible to eat everything when I go there I always ask and sometimes even targeted half portions ....


The house wine is a red loose pretty good I must inform you that type of wine is, I can tell you how I know.

and then the desserts:


from classic chocolate salami ....
the cheesecake ...
the apple pie ....
fresh fruit ....


boys is a place where you become attached: if you go over there you do is worth a visit ...

is not the usual home cooking that is around.

times to know if you would not believe the price on the assumption that on average we spend 20 to 25 € per person, and get all the starters as well as outline ... you choose only the first and second ....


am not one of the supporters of mangiotantospendopoco, in fact anything but, but here the quality of raw materials and the variety of flavors is indescrivile .....


TRY TO BELIEVE

Monday, April 13, 2009

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"Testimony of a living being" by Akira Kurosawa

published in "www.filmedvd.it"

It 'difficult for us in the West of the millennium, to understand what may have been the level of fear in the 50s, including the Japanese, to the atomic bomb. Hiroshima and Nagasaki still burn and experiments nell'atollo Bikini H-bomb are reaching their peak. In such a scenario terror to this inhumane weapon of destruction fills the hearts of all Japanese, including Akira Kurosawa, who has extraordinary artist what feels compelled, almost required, to tell that fear through a movie.
"Ikimono no kiroku", also known as "I live in fear," is the testimony of a man eager to move with his family to Brazil to escape the nuclear threat. His fear will eventually become the final madness.

A film centered on a fear so bound up in those years was likely not pass the verdict of the time, but Kurosawa deftly transforms the fear of the H-bomb, in a more universal and eternal fear of death, thus creating a true demonstration of a living being, a man who desperately tries to escape the invisible threat that condemns him. An invisible threat, but existing, of which all have fears, but that most people are looking for to conceal living life everyday without damaging thoughts.
At this point, his story becomes our story. It also becomes the story of a man who cries "Wolf, wolf" and that no one hears, even believe that eventually all crazy. A man who can not escape, he is forced to stay where he is, living in fear. Yes, because "Testimony of a living being" is also a film about the impossibility of their own lives, because in the end you have to decide for others, your family, or completely unknown such an honor and obligation.
But ultimately the fate of all. At death you can not escape. There is a

interesting statement of the master Kurosawa related to this film. He said then that his first thought was to make a satirical film, but then decided to change the register because "as you can do satire on the H-bomb?". In 1964, another master, Stanley Kubrick, created a satirical film on the H-bomb and the threat of nuclear war. What does it mean that Kubrick had more satirical spirit of Kurosawa? The genius of the American film was more sophisticated than that of the Japanese film-maker? The answer may be found in its different periods in which the films were shot and two directors of different nationalities. Kurosawa, Japanese, lives on her skin and that of his friends fear of atomic power. Hiroshima and Nagasaki are too close in time and space do not yet feel the pain. The survivors still bear the marks upon deforming of those attacks. The lack of humor is understandable. Kubrick observes the Cold War ... with more coldness and detachment. That threat was still present, but less urgent and, above all dictated by military operations in the "war room" of U.S. and USSR and not real bombs. In short, "Satire is tragedy more time" as we remember Lenny Bruce. Kubrick had time, Kurosawa only tragedy.